In February, Danzainfiera, the most important dance fair in Europe, took place in Florence. With more than 18,000 attendees and 80 exhibitor brands, the event was a great success that turned the Italian city into the capital of the performing arts for three days. The fair combines the exhibition pavilion for companies with dance classes, competitions, auditions and conferences, which encourages the exchange of ideas between professionals and enthusiasts of the sector. 

It was a great experience for us to be able to welcome so many people at our booth who were able to see and try out our ballet barres and dance mirrors. Our ballet barres were also present in the training sessions and exhibitions in different classrooms. For three days we were able to meet hundreds of dance enthusiasts and see how dancers from all over Europe trained their skills with our products.  

 We are very happy with the experience at Danzainfiera and we hope to see you again next year in Florence! 

Photos: Nicola Neri, Danza in Fiera | Dinamica Ballet

In March, the fifth edition of Premis Coreogràfics Catalunya (Catalonia Choreographic Awards) was held in Barcelona, a competition that brings together dance students and professionals of this art, creating a space for artistic exchange between professionals and dance enthusiasts. 

Young creators presented their proposals in the solo, duo and group categories in different styles such as classical, contemporary, jazz, folklore or urban dance. The jury evaluated the originality, interpretation and technical execution by the dancers, as well as the use of music and overall choreography. Once again, the level of the choreographies was excellent. 

Within the framework of the Premis Coreogràfics Catalunya, an audition was also held by the Joffrey Ballet School, which has been collaborating since last year with the organization of the Choreographic Awards to generate a complete dance experience for all the participants in the competition. The Joffrey Ballet School from New York City, with more than sixty years of history, has remained at the forefront of North American artistic education. Throughout all the year they offer professional training programs in New York and in the summer, they organize auditions and intensive dance courses in different cities in the United States and in other countries around the world. 

 At Dinamica Ballet we collaborate with the Premis Coreogràfics Catalunya and the Joffrey Ballet School by offering our ballet barres for auditions and warm-ups for all participants. We are happy that once again it has been a success, and we hope to meet again in the sixth edition next year. 

 Pictures from Premis Coreogràfics Catalunya and Joffrey School

@premiscoreograficscatalunya

@joffreyschool

The Giselle height-adjustable portable ballet barre offers great versatility in the classroom thanks to its two types of bases, its double wooden bar and the 10 positions of its adjustment mechanism. When we had to name it, we were inspired as you might have guessed, by one of the greatest ballet classics.

The ballet Giselle is one of the best known and most appreciated ballets of the world’s classical repertoire. With music by composer Adolphe Adam and choreography by Jean Coralli and Jules Perrot, this work premiered in Paris in 1841 and has since been performed all over the world.

The story of Giselle is about a beautiful young peasant girl who falls in love with Count Albrecht, who has disguised himself as a humble villager in order to court her. When the truth comes out, Giselle is so devastated that she loses her mind and dies.

In the second act, Giselle rises from the dead as a spirit, along with other prematurely dead maidens known as ‘Willis’. Although dead, Giselle remains loyal to Albrecht and tries to protect him from the vendettas of the Willis, who want Albrecht to join them in death.

The ballet Giselle is known for its thrilling pas de deux and difficult ballet steps, especially in the role of Giselle, which demand impeccable technique and grace on the part of the principal dancer. In addition, Giselle’s story of love and its everlasting loyalty remains a universally moving theme.

If you have the opportunity to see the ballet Giselle live, don’t hesitate. It is an unforgettable show that will not disappoint.

In 2000 we designed and manufactured our first ballet barre for the Institut del Teatre de Barcelona. We wanted to create a set that would offer maximum stability so that different students could perform demanding exercises and at the same time have the flexibility to move the ballet barre easily.

After many hours of designing, making molds, and testing different materials, we achieved what we were looking for. Then it was time to baptize it, thereafter we decided that each of our products would be a tribute to dance, which after more than 20 years is still the source of inspiration for our entire team. Our first mobile ballet bar would be named Maurice, in honor of the French choreographer Maurice Béjart.

Maurice Béjart was a French choreographer and founder of Ballet Béjart Lausanne, a dance company based in Lausanne, Switzerland. Béjart is known for his innovative approach to dance, often incorporating eclectic music, elements of theater, mime, and other performing arts.

Béjart was born in Marseille, France, and began his dance training at an early age. He studied ballet and modern dance with leading teachers such as Serge Lifar and Martha Graham, and also trained in mime with Marcel Marceau. In 1954 he founded his own dance company, the Ballet du XXe Siècle, which became the Ballet Béjart Lausanne in 1987.

Throughout his career Béjart created more than 200 ballets, many of which have become iconic works of modern dance. Some of his most famous productions include “Bolero”, “The Rite of Spring”, “The Ninth Symphony”, and “The Nutcracker”. Béjart is known for his bold and expressive choreography, which often explores topics of love, death, and spirituality.

In addition to his work as a choreographer, Béjart was also a teacher and mentor to many young dancers. He founded the École supérieure de danse de Genève, a dance school in Geneva, and taught in dance academies all over the world. Béjart was highly influential in the dance world, and his work continues to be celebrated and performed by dance companies everywhere.

Maurice Béjart died in 2007 at the age of 80, but his legacy as a choreographer and innovator in the world of dance continues. His bold and expressive style has inspired countless dancers and choreographers, and his contributions to the performing arts will be remembered for generations.

Auditions season is coming. November is the month when we usually start seeing many announcements of dance auditions online. This is why today, we want to share with you some tips to help you be more physically and mentally prepared for a dance audition.

1. Being mentally prepared is as important as being physically prepared

It is natural to worry about being in shape when you are going to an audition, but being mentally prepared is just as, or more important, than being physically prepared. When attending an audition, you will find yourself in a new environment and surrounded by people you don’t know, that’s why having a calm and positive mentality is key for doing a good audition.

2. Do not overthink and enjoy the moment

An audition can be as pleasant or unpleasant as you want it to be. Thinking too much about what the audition will be like is counterproductive. Creating expectations, whether positive or negative, will only make you more nervous and make you miss the magic of the moment.

Every dance audition is unique and different. If you go with an open mind you will probably enjoy it a lot more, so instead of trying to foresee what will happen or what other dancers are going to attend, focus on learning and enjoying every second, because this opportunity will not be repeated. Also, if you look happy during the audition, you have a much better chance of attracting the attention and liking the jury.

 3. Trust your hard work

BestBeing consistent in your daily work is key to preparing your body and mind for a dance audition. Before an audition, it’s important that you imagine that every class and every rehearsal you do, is like an audition. Arrive early to the studio to warm up, ideally 1 hour or 30 minutes before class. Start moving your body gently and increase the force as your muscles feel more prepared. Pay particular attention to the parts of the body where you have suffered a previous injury and gently stretch before starting the ballet bar.

At the end of class and rehearsals, stretch for a longer time to relax your muscles and prepare them for the next day. If you go to the audition knowing that you have been following a good exercise routine and have given your best in each of the classes and rehearsals before the audition, you will feel more confident and better prepared.

4. Be humble and don’t compare yourself

Each dancer has their own flaws, and you are no different. No one is better nor worse than anyone else. Is important that you work feeling a good atmosphere inside the studio, getting along with the rest of your peers. Being competitive in excess won’t benefit you. Feeling envy is never a positive thing. No dancer is born knowing how to dance. Remember how you were when you first started, and use this memory to motivate yourself to improve and get better every day.

Whenever you look in the mirror and start having self-critical thoughts, tell yourself a positive affirmation about something you do like about yourself. During the audition, imagine that no one else is there and focus on showing the jury what you are capable of. Dance humbly, because no one is perfect and don’t compare yourself with the rest of participants.

5. Follow a healthy diet and sleeping routine

Following a healthy diet is important for maintaining an ideal weight, but it’s also important for having a good energy level and avoiding getting injured. The secret is not to eat less, but to eat slowly until feeling satisfied. Vegetables, fruits, and legumes are low-calorie, high-nutrient foods, so you can eat them in abundance. Eat your food raw, steamed, or grilled with a small amount of olive oil, as these are the healthiest ways. Avoid sugar, do not use a lot of salt, and keep the fried food out of your diet as much as possible. And don’t forget to drink enough water! Before the audition, you shouldn’t eat too much. The right thing to do would be to eat a good healthy meal 2-3 hours before starting the exercise and take with you some fruit or nuts to maintain a good energy level during the dance audition. If you have any concerns about your diet, consider seeing a nutritionist.

Good sleep is also very important to let your body rest and recover your muscles. Keeping to a routine, getting up and going to bed at the same time each day is an essential part of reminding our minds and bodies when we should be awake and when we should be asleep. Don’t eat too much close to bedtime, and avoid watching TV or your phone time before bed and in the bedroom, as doing so could prevent you from getting a good night’s sleep. Consider reading a book or writing down the corrections that the teacher has given you during the day in your journal. These are activities that will help you turn off your brain at bedtime. If you suffer from anxiety or insomnia, it’s best to ask a health professional for help.

6. Don’t give up

Some days will be harder than others. When you are feeling tired or when it seems like everything is going wrong, you can use those days to do some inner work of introspection. Ask yourself: Why am I dancing? What positive emotions do I feel when I dance? How willing am I to do whatever it takes to achieve my dream? Reminding yourself of what motivates you to dance will be enough to keep you going that day.

What if the audition doesn’t go well? Should I quit? If the result of the audition is what you wanted, don’t give up because there will be many more opportunities. Each audition is a new opportunity that brings you closer to realizing your dream. The most important thing is to be sure if dancing makes you happy enough to do it for the rest of your life. If so, you there’s no doubt you will find the strength needed to succeed.

By Júlia Muxinach | Dancer and entrepreneur | shesapiens.com

Today we are presenting to you some exercises that you can do using our ballet bars, focussing on your legs and abs, with the help of Iokasti Method, one of our dear clients. For further information about other workouts and exercises, go check out their Youtube Channel.

Between March 29th and April 2nd took place at the Opera Theater in Rome La Nuit Blanche, a ballet in homage of the American musician and composer Philip Glass. For the gala, Maria Grazia Chiuri, artistic creator of Dior, designed the costumes of the 16 dancers merging culture and fashion. The sets, which merge perfectly with the movement of the dancers, combine lightness with functionality.

The main dancers of La Nuit Blanche were the German Friedemann Vogel, principal dancer of the Stuttgart ballet and Eleonora Abbagnato, star of the Paris Opera Ballet and director of the ballet of the Rome Opera House.

The rehearsals were performed at the Teatro de la Opera in Rome, a client of Dinamica Ballet for years. In both the photo sessions and the test videos, we can see the classrooms equipped with our Arabesque Double wall bars and Pina freestanding barres. We are very proud to be present together with fashion and ballet referents such as Dior and Balletto di Roma.

Photos: Paola Mattioli
Source: Nuit Blanche | Dior